Tuesday, 1 December 2009

Mnemonic


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File:'Udaipur, 1916' woodblock print by Charles Bartlett, 1917 .jpg






























If on the moon palace stairs
A thin wash of water colour bleeding

Across the body chemistry frontier blurs,
As traffic slowly hones the blade of evening

And scatters its eyes across dusk's drift and growth,
That sharp outline we think of as reality,

It would perhaps be time to go to Plan B --
That is, to try to remember the colours of the morning.





File:'Taj Mahal, Sunset', woodblock by Charles W. Bartlett, 1920.jpg


























Udaipur: Charles W. Bartlett, 1916 (Honolulu Academy of Art)
Taj Mahal, Sunset: Charles W. Bartlett, 1920 (Honolulu Academy of Art)

18 comments:

  1. Beautifull text, great writting, I liked the opening, the moon palace.
    It is a pleasure to read such well written poetry
    take care
    tc

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  2. Mariana,

    Thanks always for your visits and encouraging words.

    El gusto es mio.

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  3. Exquisite Tom. I absolutely admire the way the structure of this poem flows. Each line catching hold, of the the next one. Defying the punctuations, and the Caps.

    India. Is a beautiful place. Believe me.

    Do keep writing.

    Aditya.

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  4. my doctor friends from India
    say it's not a good idea to
    wash your feet in the Ganges,

    in training one of them saw
    a man die from a cobra bite
    the other a man die from
    rabies

    they seem to like it here(USA)
    quite a bit

    after listening to them talk, jealous of this exotic pathology
    I decided I wanted to see
    Slumdog Millionaire three more
    times.....it's got a better
    outcome than Fiddler on the Roof

    and "the colors of the morning"

    the poet's new day

    the classic line I repeat to
    depressed patients and quite a true
    one

    "What's tomorrow? No, What's tomorrow?"

    "It's the first day of the rest
    of your life"

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  5. finding my memory
    in more and more spaces
    driven by scents sounds colors
    that exist
    in the air of time
    which we silly beings say passes.

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  6. I want to go here: "the moon palace stairs"

    and, oh, the colours of morning ... ah, yes

    simple, sweet and strong

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  7. Ah, morning: forever trying to find it by waiting through the night to sneak up on it.

    But thus trapped, it is not itself.

    In the air of time we find ourselves on the moon palace stairs with these memory colours, these almost tangible dreams...

    (P.S. Aditya: I believe you.)

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  8. .

    seeing the world in water color
    no dinstictive lines of reality
    beautiful blurry truth
    through tearful eyes

    .

    Sohrab Sepehri says the best thing to achieve is eyes that are tearful because of the incident of love...



    the magnificent images you created reminded me of many things i deeply love... water color, Monet, blurry scences, and Sepehri...


    plan B was a killer...
    :)

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  9. Thank you and Sepehri, HB: softly... through a grainy or porous medium.

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  10. the poem is like a breeze through the leaves...

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  11. Once again, you are at your best when such deceptive simplicity reveals greater depths each time I read through it.

    Phonetically, absolutely splendid.

    Yes, Tom, old bean, I am still about. Rumours of my death have been greatly exaggerated!

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  12. A poem for a poem:

    these trees
    this grove
    this garden

    lost
    in morning

    the very edge
    of day

    an order
    sun imposes
    random

    these shrubs
    these beds
    this pathway

    stand & wonder
    why these walls
    these trees
    that very foxglove

    wait now
    spring will
    come again

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  13. Jon,

    Many thanks, lovely. I've always loved Adorno's account of the rustling birth of the lyric as like the dimly apprehended sound of either wind or water moving unseen in a forest, who knows which it is... "rauschen", a quiet rushing.


    Ray,

    Very kind of you, and as to your still being about, I am pleased and gratefully relieved; in fact have just now visited your friendly rag & bone shop (where in fact you are looking very sharp), comparing notes with you about tube dread.


    Billy,

    Beautiful.

    The ultimate trust.

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  14. Thanks, Tom. Yes I just replied to you in regards to the horror of tube trains.

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  15. Bartlett's images are beautiful, as is the poem.

    On first read "As traffic slowly hones the blade of morning" caught my imagination, but reading this over and over I love how the lines flow together and suggest: a place, and perhaps a place beyond place?

    Memory takes us places...

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  16. Thanks Stu,

    I don't know where that flowing place is... it's certainly there somewhere or we wouldn't be able to flail away so at the attempt to speak of it ("whereof we do not know...")... but the freeway-feeder traffic can be a knife in its heart, sometimes.

    Hard to keep from thinking of Bartlett, in his later "paradise" years, as an entranced old surf bum (probably goofy-footed).

    (Must confess that while doing up that latter post I had thought of you and sub-located the action, in my ancient daft mind, to Brighton Beach...)

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  17. I feel closer to my self with an understanding, I usually remain unaware of, as I read you at certain times.

    I re read it again Tom.

    With an amalgam of love and hurt flowing through spans of air I breathe in at 4 in the morning. Am not allowed to be up at times as such .. but frankly .. who cares?

    The urge to know what colors of the morning shall deposit on composite pavements of agony while you desiccate nights beneath the soil, is present in uncharted volumes at the most familiar places.

    The colors could be beams of some rising star, knotted in to patterns or the phlegmatic manner of an unknown unfelt grief settling on to the floor.

    Or the oscillating throbs of hurt mistaken for love, as they guide agitated pedestrians above while they keep knocking in to each other. Again. And again ..


    Aditya.

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  18. Aditya,

    I don't know what it is about poetry that enables it to unlock these gates in certain sensitive souls through which the mysterious, unexpected and sometimes even perhaps unwanted emotions come in such floods.

    But I have long suspected you are one of those sensitive souls.

    And without such souls I do not know that poetry would have any very good reason for existing; or even, for that matter, that it would come into being in the first place.

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