Thursday, 2 September 2010

Jack Delano: Funeral in Georgia


.

Image, Source: digital file from intermediary roll film

Convicts from Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident

Image, Source: digital file from intermediary roll film

Convicts from Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident

Image, Source: digital file from intermediary roll film

Convicts from Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident

Image, Source: digital file from intermediary roll film

At the funeral of Mr. Lov Smith, former warden of the Greene County, Georgia prison camp

Image, Source: digital file from intermediary roll film

Convicts and guard, Oglethorpe County, Georgia

Photos by Jack Delano, May 1941 (Farm Security Administration/Office of War Information Collection, Library of Congress)

5 comments:

  1. Tom, thanks for all these posts of the work of Jack Delano. Quite fine. This one, in particular, has a narrative quality as laid out that is simply devastating.

    ReplyDelete
  2. Don, thanks for responding.

    I think Jack Delano is a great underappreciated American artist.

    It's not hard to see why he is underappreciated. His Library of Congress "Creator" page, for one thing, comes up as "Not Found".

    This photo archive is a vast and in many respects also a lost resource.

    Dorothea Lange lamented the fact that despite the valiant efforts of the FSA director Roy Stryker, the greatest part of these files went unseen even at the time they were made, and in later years the general ignorance of just what is in these files has been compounded.

    There are something like 160,000 FSA photos, many uncatalogued or incorrectly catalogued, hidden away in various side-tunnels of the labyrinthine library archive. So the research task has involved extensive searching, sorting, as well as a fair amount of mind-reading, trying to understand what the photographers were after and what they found, so as to organize the sprawling miscellaneous files into mini-narratives (like this one) -- and then, at the end of the day, to avoid overdetermining these stories by eschewing further textual comment and trying to simply step out of the way of the thrust of living truth and natural fact.

    Don, to be honest the work has been humbling. The glaring evidences of a massive social inequity, the apparent failure of compassion before a staggering superplus of human suffering, the tale told by our national history... pleasant as it would be to dismiss all this by saying, "but that was then, and it's all so different now," I don't know.

    ReplyDelete
  3. Don, in case you may have missed it, there's a very useful interview with Jack Delano and his wife, which I've drawn from at length (to accompany a portfolio of Delano's great colour work) here.

    ReplyDelete
  4. form and content

    after reconstruction
    the penal system
    in some southern states
    became a front for
    slave labor

    this existed until
    World War II

    inmates were sometimes
    imprisoned on frivolous
    charges on work farms
    to supply labor

    "I'm a fugitive from a
    chain gang" The movie
    with Paul Muney antedates
    the photos by approximately
    a decade

    And then there was "Cool Hand
    Luke" with Paul Newman

    There have been a lot of stories
    over the years on the content
    of Delano's photo

    ReplyDelete
  5. Tom,

    These photos are amazing, "a narrative quality that is simply devastating" as Don writes here. JOhnny and I are looking through all these now (we got through the first set of Heard County Georgia yesterday), had been watching Olivier's Hamlet the other day, with the scene at Ophelia's grave (a far cry from what we SEE HERE). . .


    9.5

    light coming into sky above still black
    ridge, silver of planet beside branches
    in foreground, sound of wave in channel

    that is aspects are visible
    again, these structures

    frequently there, particular,
    want to hear each other

    grey-white of fog against top of ridge,
    circular green pine on tip of sandspit

    ReplyDelete