.
Sign in beer parlor window, Sisseton, South Dakota, September 1939
Restaurant sign, Omaha, Nebraska, November 1938
Children's drawings on wall, Washington, D.C., April 1937
Movie theatre, Washington, D.C., April 1937
Movie poster, Washington, D.C., April 1937
Tattered billboard, Minneapolis, September 1939
Billboard, Woodbine, Iowa, May 1940
National Association of Manufacturers signboard, Dubuque, Iowa, April 1940
Covington, Kentucky, street corner, 3:33 p.m., September 1939
Sign, October 1940
Photos by John Vachon (Farm Security Administration/Office of War Information Collection, Library of Congress)
Each of these images is, as they say, more remarkable than the next. Each of them is also worth 10,000 words.
ReplyDeleteA post full of so many wonders ... the peeling billboards have a dreamlike, subliminal quality to them but all the images are, as Curtis notes, are remarkable.
ReplyDeleteThe restaurant "King Hitler" sign from 1938 is an interesting glimpse into a narrow slice of time (like the peeling billboards, now that I think of it). As such, I'm not sure exactly its implications. Is "King Hitler" satirical a la Spike Jones "Der Fuhrer's Face" or is it something darker?
Tom,
ReplyDeleteCheers on Labor Day. Great pictures, the captions are like a poem (nothing else need be said) --
Sign in beer parlor window
Restaurant sign
Religious sign
Children's drawings on wall,
Movie theater
Movie poster
Tattered billboard
Billboard
Advertising
Sign painters,
Signboard
Washington, D.C.
Signboard,
Street corner
Sign
Sign
Sign
Small town main street
Meanwhile, this ---
9.6
blinding silver edge of sun above still
shadowed ridge, red-tailed hawk calling
in foreground, sound of wave in channel
experienced in such way that
change, as such nothing
“may be” here that is, often
looked at, out-of-focus
cloudless blue sky reflected in channel,
shadowed green slope of ridge across it
here is a line from John Meade's Woman:
ReplyDelete"You married me to get even with that other woman -- now you're going to pay!"
I can ALMOST remember the name of that movie theater... it was up on Pennsylvania Avenue, S.E.
take the street car up * th Street to Penn. Ave... the movie was in that block..
on Saturday's they put a piece of tape on the glass under it .25 cents
over it .50 cents.
6 cartoon
two features
comings attractions
a live magic act and ticket-stub drawings
OHHHH It was
The Penn Theater... I think
neat photos... would that I could blow them up and
"get into" the details so sharp...
Thanks everyone.
ReplyDeleteDon, I think it's satirical.
On the words vs pictures relative value question, Arthur Rothstein's daughter, Eve Roth Lindsay, cites his view of the matter here.
By the by, it should be understood that the selection and ordering of images in this and in the adjacent photo posts is to be blamed neither on the photographer John Vachon nor on the archivists charged with tending the Library of Congress collection of some 160,000 FSA/OWI black & white images (not to speak of the much smaller colour collection). The structures and themes of the posts are not "found" things but the result for better or worse of Beyond the Pale editorial interventions, or rat nibbles, in the massive labyrinthine tunnel-town of the database.
ReplyDeleteTruly wonders, Tom!
ReplyDeleteThe sing painters are now a lost specie (as well as the jolly smoking couple), incredible job, don't you think?
(How come I missed this post last year? Shame on me!)
Glad you liked this, Julia. John Vachon traveled all through the American interior taking pictures, seeking the "heart" of the people and landscapes, and quite often the first revealing evidence that caught his eye in the large and small towns through which he passed was found in the signboards, with their secret clues to the hidden meanings of place.
ReplyDelete