Sunday, 23 September 2012

Short of Breath (Keats at Winchester, September 1819)


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Richland Park143 by JewelHouse10.

Richland Park 143: photo by Terri Stanisha/Jewel House 10



After another fine sharp temperate night
It is a warm morning. This is part of the world.
Summer light and dust blow yellow
Filmed clouds into the air. The brown stubble
Fields feel warm, give off a red excited
Glow like irritated raspberry marks
On fair skin, with its soft white weight,
As the doleful choir of gnats still wails,
And the maiden at the manor window shakes
The sheets out, or is it her fine light hair
That flows or is flung from the storybook casement,
That causes me to stop to catch my breath?




Richland Park144 by JewelHouse10.

Richland Park 144: photo by Terri Stanisha/Jewel House 10

11 comments:

  1. Beautiful. Clean. Cumulus with vertical growth. Or else cumulus humilis, "wool pack." This poem a field under them.

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  2. Yes, that capacity for growth. A cotton wool expansiveness, for aeration. Words shaken out of the clean sheets. Many thanks, Susan.

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  3. I worked in Winchester for five years - before I discovered the meaning of Gardening Leave. I tracked down some of the places he visited. Touched doors he had opened. It's a beautiful city.

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  4. I now see why the Slinger was so keen on this writing. Spanish Steps and all.

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  5. As Susan says, Beautiful.

    "This is part of the world". What an affirmation! Something to hope with.

    "The brown stubble/ Fields feel warm, give off a red excited/ Glow like irritated raspberry marks/ On fair skin, with its soft white weight..."

    The landscape and the bodies loved communicating. And the weight: soft and white and real and kept from the scales.

    My Uncle John, a Conwy man, will draw in a breath when you say something that matters. I've noticed it with other North Wales people. It always moves me when I hear it. The poem stirs this up in me.

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  6. Flung with these words
    to the Spanish Stairs
    steps flung
    up and down
    to the window
    I see described
    so beautifully
    Clark mesmerizes
    the memory of Keats
    Seeing as he sees.

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  7. "dust blow yellow"
    Fresh. Clean, yet Beatnik.

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  8. Exactly--a poem
    that causes me to stop
    to catch my breath

    wherever it was I was going.

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  9. Poem breath--
    animal breath
    but sweeter
    in its stunk
    mud and stubble
    willows.

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  10. Tom,

    "or is it [such white clouds and such words]
    That causes me to stop to catch my breath?"

    9.23

    grey whiteness of fog against invisible
    plane of ridge, green of leaf on branch
    in foreground, wave sounding in channel

    presumably between at least
    form, that this after

    looks like this, what it is
    appearance, nature of

    silver of sunlight reflected in channel,
    whiteness of jet trail in pale blue sky

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  11. The poem is -- and I suppose this is obvious -- a sort of attempt at the inhabitation of a persona.

    Er, as it were.

    The central text around which turns the sequence from which this comes (in, that is, my book Junkets on a Sad Planet: Scenes from the Life of John Keats), is, or course:

    John Keats: To Autumn.

    I had sensed our Jonathan, latterday poet of this precinct, might have some local knowledge here. Correctly as it turns out.

    My sole Winchester junket came in September of 1966, when I took off, on the spur of the moment, with a maid of the Fulham Road in a white vinyl dress, after two nights without sleep, on a day trip to scout the cathedral. Happily the details now lost to history.

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