.
Two black youths and a dog in Paterson, New Jersey, June 1974
Three young girls in Brooklyn, July 1974
Three young girls on Bond Street in Brooklyn, July 1974
Inner city life on Bond Street in Brooklyn, July 1974
Row houses on Bond Street in Brooklyn, July 1974
Wall painting in Hell's Kitchen, Manhattan, July 1974
Sports heroes are the motifs in these wall painting on Nostrand Avenue in Brooklyn, July 1974
Graffiti with a supergraphic "Vail" and other words on on a wall in Brooklyn, July 1974
Boys playing frisbee across West 46th Street in Manhattan, July 1974
Two Latin girls pose in front of a wall of graffiti in Lynch Park, Brooklyn, June 1974
Latin youths at Lynch Park in Brooklyn, June 1974
Three boys and "A Train" graffiti in Lynch Park, Brooklyn, June 1974
Latin youths at Lynch Park in Brooklyn, June 1974
Three boys and "A Train" graffiti in Lynch Park, Brooklyn, June 1974
Young man with his leg in a cast, Hiland Park, Brooklyn, July 1974
Puerto Rican boys playing softball in Brooklyn's Hiland Park, July 1974
Boy against a yellow platform at the Kosciusko Swimming Pool in the Bedford-Stuyvesant district of Brooklyn, July 1974
The Kosciusko Swimming Pool in the heart of the Bedford-Stuyvesant district of Brooklyn, July 19744
Avenue D housing project on the Lower East Side of Manhattan in New York City, July 1974
People relaxing in East River Park in Manhattan, July 1974
People on an outing in East River Park in Manhattan, July 1974
Kids enjoying playground equipment in East River Park in Manhattan, July 1974
People looking at boat traffic on the East River Park with the Manhattan Bridge and New York City in the background, July 1974
People on an outing in East River Park in Manhattan, July 1974
Kids enjoying playground equipment in East River Park in Manhattan, July 1974
People looking at boat traffic on the East River Park with the Manhattan Bridge and New York City in the background, July 1974
Young Latin male in Paterson, New Jersey's inner city, June 1974
Latin girl holding a child on an inner city porch in Paterson, New Jersey, June 1974
Man working on car in Hell's Kitchen, New York City, June 1974
Man lounging on a park bench with his radio on the Reis Park Boardwalk in New York City, July 1974
Wall painting at Division and Forsyth Streets in Lower Manhattan, June 1974
Apartment house across from Fort Green Park in Brooklyn, June 1974
Fire set by Brooklyn Polytechnic Institute to test wires and insulation in New York City, June 1974
Inner city residents of Brooklyn walk along Bushwick Avenue, July 1974
The underside of an elevated train platform is part of the environment on Bushwick Avenue in Brooklyn, June 1974
View from under elevated train tracks at Bushwick Avenue in Brooklyn, June 1974
Brooklyn's Bushwick Avenue seen from an elevated train platform, June 1974
Photos by Danny Lyon for the Environmental Protection Agency's Documerica project, June-July 1974 (US National Archives)
See also:
ReplyDeleteDanny Lyon: Second Ward, El Paso (1972)
Great photo essay. I relate to the kid with the cast . . .
ReplyDeleteJust had knee surgery.
Nin, get up & around soon.
ReplyDeleteI haven't been able to walk w/o pain since being mown down by car in front of humble abode last year, so I do relate.
(And we've been laid low with awful flu & fevers six weeks here now, cough cough!)
It's good to see more Danny Lyons photos here. That sense of looking from inside the world; no condescension (always a risk for a photographer) or set distance.
ReplyDeleteYes, he was able to get close. And he felt the street and the people on it. Some do, some do not.
ReplyDeleteGreat post. Hope the flu and fevers leave you soon.
ReplyDeleteDanny Lyon. Real people. Real life. Extraordinary pictures.
ReplyDeleteCan't get enough of those pictures, little wonders each of them. Wow is all I can say..
ReplyDeleteDuncan, Jonathan, Hazen, great to hear from you always, and many thanks.
ReplyDeleteThe Documerica photographers treated America and its vast array of strengths and problems with a dignity, professionalism and care that honours everything and everyone: the peak of Kodachrome art, the dawning of environmental consciousness, and a moral conscience directly influenced by the grand legacy of the FSA (no accident because in the brief moment of its flourishing the Documerica project was strongly influenced by Arthur Rothstein having been brought on, and of course his presence was a link back to the very best of the Depression period government project work). Like the FSA archive and Lewis Hine's Child Labor Board portfolio, these are great works of, by and for the people. Strange as that may seem today, given the curious way in which the government now appears far more interested in shielding itself from the people than in offering the people gifts of this order -- something relevant, progressive, useful and artful, encouraging serious social concern yet also inspiring hope.
That was perhaps less difficult to do then than it might be now, but still, on the urban scene, there have been few rose gardens at any stage. An honest look is all that can be wished for.
Bobby Womack: Across 110th Street
Thanks, Marie, hadn't seen that till just now. Great to hear those words from somebody who knows her way around a camera.
ReplyDeleteOn top of everything else, how beautiful are the cars? In all their conditions.
ReplyDeleteTom -- fantastic series of the lives of the disposessed during the years of my own little protected infancy in the bricks of the Bronx and our own years living just west of that incredible tenement on Avenue D - what a great photo -- but the Wall Painting on Forsyth and Division says it all, still! Thanks for all the sweat it took to put together this great series for us
ReplyDeleteFeel better -- vanquish the Flu
Love
Harris
Harris, yes, that terrific tall vertical shot of the Avenue D project brought back such a tangled ball of memories involving our mutual ancient street rambling histories that if my broken lacrimal duct hadn't been flowing already, the sweet pain of retrospect would have brought a fresh tear welling up to ancient clouded eye. But when the old and new tears mingle together, mixed in with the sweat, the blood, and the longing for ultimate memory loss, who can tell old from new, and what is there to say or do?
ReplyDeleteAnd yes again, the wall painting with the $ reminded me also of your historic cyberzinoid Works and Days, in fact that may have been the reason that shot landed here amongst us in this fashion.
Werner, my respected colleague, deferring to your superior expertise in these classic automotive matters, and guessing that you are aware Danny Lyon gives evidence of being a super classic car nut, I'm going to turn this around and ask you to pony up here with your own inventory of the vintage automotive wonders on view in this post, and I will gratefully stand advised.
Not to request such favours without providing something at least equivalent in return (potlatch polity) -- take a look at that Danny Lyon 1972 El Paso post I've linked to above and tell me whether you'd not agree that photos #5 through #7 do a great job of turbocharging the memory neurons -- once perhaps hyper acute though now maybe not so much, what with the several inconvenient strokes and all.
E.g., girl leaning in languid fashion over front seat of a yellow mid-Fifties model Tri Five Chevy (#5), same vehicle in next shot and just below that, the great, great interior dashboard view (Big Tarantula, crucifix, American flag, Bud decal, Raza Is Love).
Mr (or shall I say Sir, or Chief -- yes, I do like Chief) Be the BQE, Je m'excuse! I fear I have for some odd reason a preference for communicating, if names are to be used at all, with people whose actual names are known to me; and it was thus out of a curious anachronistic longing for contact with the human, perhaps, that I have just now suggested to you that your name is Werner, when it is not. Do forgive.
ReplyDeleteTC - I'm pleased with Werner but will also happily answer to David. I'm no expert on cars despite the BQE connection. I think I recognize the rear of a Karmann Ghia, in the Bond St. photo, and front end of some kind of Ford station wagon. Similar to the one the Young Latin Male seems to be striding away from in Patterson. The jacked up car in front of the Avenue D housing project looks like a Chevelle SS. So much to look at in these pictures!
ReplyDelete