Friday 12 June 2015

Robert Creeley: Love

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In the Forest of Fontainbleu: Camille Corot (1796-1875), c. 1860-65, oil on canvas, 46 x 59 cm (National Gallery of Art, Washington)

Nothing is without place,
in mind, in physical apprehension --

or if "a dagger of the mind" is the purpose,
hold on to it for dear life, or else kill somebody.

Just when I thought I had it made, I lost it.
Just when I knew what to do, I was an old man.

You hear that bird sing in the tree, there,
you know still what a tree is?

Love is a place, not a person, love is
a weather of time, a convenience to absent sorrows.

But talk is the cheapest of all, means what it wants to,
waits up for no one, always goes home alone.

Robert Creeley (1926-2005): Love, from Places, 1990


Landscape: Camille Corot (1796-1875), n. d., oil on canvas 32.4 x 21.6 cm (private collection)



Forest in Fontainbleu: Camille Corot (1796-1875), oil on canvas, 49.35.5 cm (private collection)



Fontainbleu, the Bas Breau Road: Camille Corot
(1796-1875), c. 1830-35, oil on canvas (private collection)



An Artist Painting in the Forest of Fontainbleu: Camille Corot (1796-1875), 1850-55, oil on canvas, 28.6 x 24.1 cm (private collection) 



Figures in a Forest: Camille Corot (1796-1875), c. 1850-60, fresco (private collection) 


Souvenir of Ville d'Avray: Camille Corot (1796-1875), 1872, oil on canvas, 49.35.5 cm (Musée d'Orsay, Paris)



In the Forest of Fontainbleu: Camille Corot (1796-1875), c. 1860-65, oil on canvas, 46 x 59 cm (National Gallery of Art, Washington)

6 comments:

  1. intense poem...interesting contradictions....I love these lines:
    "Love is a place, not a person, love is
    a weather of time, a convenience to absent sorrows."

    ReplyDelete
  2. wonderful poem, Tom.

    What if the beloved is a specific person in a particular place at a definite time?

    Time, the deer, is in Hallaig Wood.
    I'll go to Hallaig,
    To the sabbath of the dead,
    Down to where each departed generation has gathered
    Hallaig is where they survive.

    And coming back from Clachan and Suisnish,
    their land of the living,
    Still lightsome and unheartbroken,
    Their stories only beginning.

    And their beauty a glaze on my heart.
    then as the kyles go dim
    And the sun sets behind the Dun Cana
    Love's loaded gun will take aim.

    It will bring down the lightheaded deer
    As he sniffs the grass round the wallsteads
    And his eyes will freeze: while I live,
    His blood won't be traced in the woods.
    -----Hallaig, Sorley Maclean.

    ReplyDelete
  3. This poem this morning, Tom, think still about that deer from yesterday, then today's poem and the Sorley Maclean poem, so moving... (I'd never heard of him, and only a few days ago someone asked me about modern Scottish poets... and me, a descendent of Robert the Bruce! So my aunt said, in our family tree... but when I mentioned it to a Scottish girl in London, she said, "Oh everybody in Scotland is descended from Robert the Bruce!"

    (I want one of those Corot paintings in my house!)


    GRAY FOX

    for Tom Clark

    A gray fox this time
    with black nose

    slips almost unnoticed
    along the city street

    next to the great woods

    and most think he’s a
    neighborhood cat out for a

    serendipitous stroll

    a few sardine cans whose
    oils may not be completely

    ingested

    He’s slick in the
    full moonlight

    as if wearing ermines

    the light off his
    gray coat shines

    and he’s thinking foxy
    thoughts pretty

    unfathomable to such as

    us with our limited but
    technologically supported

    communication skills

    The fox who yips and
    barks at night so

    neighbors think it’s a
    dog fight or a

    tomcat commotion

    bouncing along
    nose choosing from the

    menu of odors we can’t
    even smell

    Stops
    pricks up his ears for a

    moment
    stock still

    momentarily majestic

    then ambles on
    as much in God’s

    sight as we are only
    O so much more

    naturally glamorous!

    5/12/15

    ReplyDelete
  4. Tom,

    I wonder what convenience is for present sorrows. Poetry? G7 summits? Election? Change? Being Woody Allen's producer these days? or saying it all at the oscars? I begin to think, and I think until it inconveniences me. That is why I love love.

    ReplyDelete