Friday, 27 November 2015

Ray Bradbury: There Will Come Soft Rains

Global Thermonuclear War | by WelshPixie

Global Thermonuclear War: photo by Delyth Angharad, 25 July 2013

In the living room the voice-clock sang, Tick-tock, seven o'clock, time to get up, time to get up, seven o'clock! as if it were afraid nobody would. The morning house lay empty. The clock ticked on, repeating and repeating its sounds into the emptiness. Seven-nine, breakfast time, seven-nine! 

In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two coffees, and two cool glasses of milk.

"Today is August 4, 2026," said a second voice from the kitchen ceiling, "in the city of Allendale, California." It repeated the date three times for memory's sake. "Today is Mr. Featherstone's birthday. Today is the anniversary of Tilita's marriage. Insurance is payable, as are the water, gas, and light bills."

Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.

Operation Plumbbob Shot Diablo Ionization Glow | by rocbolt

Operation Plumbbob Shot Diablo Ionization Glow. 15 kilotons, 15 July 1957, Nye, Nevada. Damaged photo restored in photoshop: photo by Kelly Michals, 15 July 1957

Eight-one, tick-tock, eight-one o'clock, off to school, off to work, run, run, eight-one! But no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The weather box on the front door sang quietly: "Rain, rain, go away; rubbers, raincoats for today..."

And the rain tapped on the empty house, echoing.

Coreley Services, M6 North | by eatmorechips

Corely Services, M6 North. This is indeed thermonuclear: photo by Nik Stanbridge, 2 October 2008

Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait the door swung down again.

At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge scraped them down a metal throat which digested and flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and emerged twinkling dry.

Waiting For News | by WelshPixie

 Waiting for News: photo by Delyth Angharad, 7 August 2013

Ten o'clock. The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.

Ten-fifteen. The garden sprinklers whirled up in golden founts, filling the soft morning air with scatterings of brightness. The water pelted windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of thrown ball, and opposite him a girl, hand raised to catch a ball which never came down. The five spots of paint -- the man, the woman, the children, the ball -- remained. The rest was a thin charcoaled layer. The gentle sprinkler rain filled the garden with falling light.

Until this day, how well the house had kept its peace. How carefully it had inquired, 'Who goes there? What's the password?" and, getting no answer from the lonely foxes and whining cats, it had shut up its windows and drawn shades in an old-maidenly preoccupation with self-protection which bordered on a mechanical paranoia.

It quivered at each sound, the house did. If a sparrow brushed a window, the shade snapped up. The bird, startled, flew off! No, not even a bird must touch the house!

The house was an altar with ten thousand attendants, big, small, servicing, attending, in choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly.

p. 18

Hughes Aircraft Company advertisement for Communications Satellites: Time, 4 October 1963 (Gallery of Graphic Design)

Twelve noon.
A dog whined, shivering, on the front porch.

The front door recognized the dog voice and opened. The dog, once large and fleshy, but now gone to bone and covered with sores, moved in and through the house, tracking mud. Behind it whirred angry mice, angry at having to pick up mud, angry at inconvenience.

For not a leaf fragment blew under the door but what the wall panels flipped open and the copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel jaws, was raced back to the burrows. There, down tubes which fed into the cellar, it was dropped like evil Baal in a dark corner.

The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house realized, that only silence was here. It sniffed the air and scratched the kitchen door. Behind the door, the stove was making pancakes which filled the house with a rich odor and the scent of maple syrup. The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.

IMG_3057 | by princesskoko

[Christmas morning, Kitchen of the Future]: photo by princesskoko, 27 September 2012

The dog was gone.

In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.

p. 77

Chance Vought Aircraft advertisement for Regulus II Nuclear Missiles: Time, 5 May 1958 (Gallery of Graphic Design)

Two thirty-five.
Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of pips. Martinis manifested on an oaken bench with egg salad sandwiches. Music played.

But the tables were silent and the cards untouched.

At four o'clock the tables folded like great butterflies back through the paneled walls.

p. 95

Boeing Aircraft Company advertisement for Dyna-Soar Space Glider: Time, 17 November 1961 (Gallery of Graphic Design)

The nursery walls glowed.

Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in crystal substance. The walls were glass. They looked out upon color and fantasy. Hidden films clocked though the well-oiled sprockets, and the walls lived. The nursery floor was woven to resemble a crisp cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot still air butterflies of delicate red tissue wavered among the sharp aroma of animal spoors! There was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like other hoofs falling upon the summer-starched grass. Now the walls dissolved into distances of parched weed, mile on mile, and warm endless sky. The animals drew away into thorn brakes and water holes.

It was the children's hour.

Five o'clock. The bath filled with clear hot water.

p. 76

Borg-Warner advertisement for Automated Electronics: Life, 24 June 1957 (Gallery of Graphic Design)

Six, seven, eight o'clock. The dinner dishes manipulated like magic tricks, and in the study a click. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped out, half an inch of soft gray ash on it, smoking, waiting.

Nine o'clock. The beds warmed their hidden circuits, for nights were cool here.

Nine-five.  A voice spoke from the study ceiling: "Mrs. McClellan, which poem would you like this evening?"

The house was silent.

The voice said at last, "Since you express no preference, I shall select a poem at random." Quiet music rose to back the voice. "Sara Teasdale. As I recall, your favorite...

Embedded image permalink

Meet Walk-Man, the humanoid robot designed to fit into a human-shaped world: image via Reuters Top News @Reuters, 27 November 2015

"There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pools singing at night,
And wild plum trees in tremulous white;

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself, when she woke at dawn
Would scarcely know that we were gone."

The "Hello Kitty" balloon proceeds high above spectators along 6th Ave during the 89th Macy's Thanksgiving Day Parade in the Manhattan borough of New York...The "Hello Kitty" balloon proceeds high above spectators along 6th Ave during the 89th Macy's Thanksgiving Day Parade in the Manhattan borough of New York November 26, 2015.

The “Hello Kitty” balloon proceeds high above spectators along 6th Ave during the 89th Macy’s Thanksgiving Day Parade in the Manhattan borough of New York on Thursday: photo by Carlo Allegri/Reuters, 26 November 2015

The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash on its tray. The empty chairs faced each other between the silent walls, and the music played.

p. 86

North American Aviation advertisement for X-15 Research Vehicle: Time, 11 March 1966 (Gallery of Graphic Design)

At ten o'clock the house began to die.

The wind blew. A falling tree bough crashed through the kitchen window. Cleaning solvent, bottled, shattered over the stove. The room was ablaze in an instant! "Fire!" screamed a voice. The house lights flashed, water pumps shot water from the ceilings. But the solvent spread on the linoleum, licking, eating, under the kitchen door, while the voices took it up in chorus: "Fire, fire, fire!"


General Dynamics Corporation advertisement for nuclear-powered naval vessels: Time, 17 September 1956 (Gallery of Graphic Design)

The house tried to save itself. Doors sprang tightly shut, but the windows were broken by the heat and the wind blew and sucked upon the fire.

The house gave ground as the fire in ten billion angry sparks moved with flaming ease from room to room and then up the stairs. While scurrying water rats squeaked from the walls, pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.

- | by Coyhand

It went so far, it was so bad (that the best thing was that you were not like them): photo by y Coyhand, 15 November 2015

But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased. The reserve water supply which filled the baths and washed the dishes for many quiet days was gone.

The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.


Bombeiro/Bento Rodrigues/Barragem. Accidente Mariana/MG
: photo by Portal Emergencia On Line, 7 November 2015

Now the fire lay in beds, stood in windows, changed the colors of drapes!

And then, reinforcements.

IMG_3050 | by princesskoko

[GE: "Progress Is Our Most Important Product"]: photo by princesskoko, 27 September 2012

From attic trapdoors, blind robot faces peered down with faucet mouths gushing green chemical.

The fire backed off, as even an elephant must at the sight of a dead snake. Now there were twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth.

Chernobyl. Toys that were left due to having to quickly exit: photo by tootie2rue, 8 April 2012

But the fire was clever. It had sent flames outside the house, up through the attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze shrapnel on the beams.

The fire rushed back into every closet and felt of the clothes that hung there.

Half buried | by Cai Santo

In the rural district of Gesteira, the local church is a symbol of the community. The mud doesn't respect even the sacred temples: photo by Cai Santo, 7 November 2015

The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the first brittle winter ice. And the voices wailed, Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high, low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their sheathings like hot chestnuts. One, two, three, four, five voices died.

Men try to extinguish a fire at a farm in Rio Pardo next to Bom Futuro National Forest, in the district of Porto Velho, Rondonia State, Brazil: photo by Nacho Doce/Reuters, 30 August 2014

In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The panthers ran in circles, changing color, and ten million animals, running before the fire, vanished off toward a distant steaming river...

Ten more voices died. In the last instant under the fire avalanche, other choruses, oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control mower, or setting an umbrella frantically out and in the slamming and opening front door, a thousand things happening, like a clock shop when each clock strikes the hour insanely before or after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard for the situation, read poetry aloud all in the fiery study, until all the film spools burned, until all the wires withered and the circuits cracked.

Cows roam on a deforested plot of the Amazon rainforest near Rio Pardo, in the district of Porto Velho, Rondonia State, Brazil: photo by Nacho Doce/Reuters, 3 September 2014

The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.

In the kitchen, an instant before the rain of fire and timber, the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which, eaten by fire, started the stove working again, hysterically hissing!

The crash. The attic smashing into the kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under.

Smoke and silence. A great quantity of smoke.

Tham Piu cave, on the outskirts of Muang Khoun. Laos. Here, on 24 November 1968, a US strike killed 374 civilians who were sheltering in the cave in order to find refuge from the American bombardments
: photo by Matilde Gattoni/Tandem Reportage via The Observer, 31 January 2015

Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam:

"Today is August 5, 2026, today is August 5, 2026, today is..."

Ray Bradbury (1920-2012): There Will Come Soft Rains, first published in Collier's, 6 May 1950; included in The Martian Chronicles, 1950

Three million tons of ordnance was dropped on Laos over a nine-year period. Craters such as these in Xieng Khouang province scar the landscape in many areas: photo by Sean Sutton/MAG via The Guardian, 2 December 2008

Kampuang Dalaseng lies on the ground demonstrating how he would hide from the bombs during the Secret War in Laos. ‘I hate Americans to this date. They bombed, burned and destroyed everything. If their president was here, I would slap him in the face.’ A former professor of French, 84-year-old Kampuang lived under the American bombardments for five years
: photo by Matilde Gattoni/Tandem Reportage via The Observer, 31 January 2015

there will come soft rains III | by wood_owl
There will come soft rains III... here, where nothing grows.  Former Krejci Dump site. Cuyahoga Valley, Ohio.: photo by wood_owl, 10 August 2012


  1. It does a whole lot of good to consider the World empty of us and our futile technologies chattering on.

    The Tulyahodzaev animation is fascinating; that cultural production in the Soviet Union was fed by the same fears isn't surprising but somehow I hadn't properly clocked it.

  2. Terrific story - setting the FEAR in 1950. Wonderful poem. We're on the verge of leaving the stage.

  3. Great post, Tom---perfect for Black Friday. It made me remember the movie On the Beach, which I saw when I was 13 or 14 & which has stayed stuck in my brain forever, esp. the scene of the Coke bottle stuck in the cord of a window shade.

  4. Duncan, Hilton, Terry, thanks very much.

    Yes, Dunc, it's an interesting thought -- the Bradbury tale seems to have possessed sufficient parabolic life to make it seem at least as relevant on the Russian side of the opaque glass -- is it a two-way mirror? -- as over here. Or if anything, perhaps more so. The prospect of being instantly converted to crisps can't have been very appealing even within the inner rings and bunkers of the Axis of Evil.

    Hilton, indeed that's true... and as we timidly review our most memorable scenes, the swinging doors of the Last Chance Saloon swat us on the backside and a mocking voice (prerecorded of course) says, Right, that's all very well, and you left it in worse shape than you found it, so hurry on along now, little mice!

    Terry, I'd wager there's a significant group of us surviving elders for whom the strange Hollywood presentation of global nuclear apocalypse -- "star-studded" to the hilt, and thus cluttered with the considerable baggage of at least two heavyweight impossible romances, not to mention a round-the-bend racing-car subplot that manages to confuse the issue further (though making Fred Astaire into a race car enthusiast finally seems if anything just a bit more plausible than making Gregory Pack into a great lover, making Tony Perkins straight, or making Ava Gardner look thin) -- came as insidious instruction.

    The season of the Cuban Missile Crisis, that was.

    On the Beach, dir. Stanley Kramer (1959): trailer

    I suppose it's this latest flexing of the steroidal war muscles involving the Russians, the Turks, and inevitably perhaps various of the remaining usual suspects (namely in particular "us", we of the many phenomenal ICBM test light-shows over the Golden Gate), that made me recall the Kramer film, and the Nevil Shute novel on which it was based, and the reading of the writing on the wall, not only of all Shute's other novels way back then, but of all the fine mysterious baffling scribbles (the whacky backwards upside-down cuneiform of "history") being applied even as we sit and fret and grow old, and hopeful older still, that drove me back to the Bradbury tale.

    Which, at the innocent and impressionable age of nine, struck me, I guess, as top drawer stuff. What with the crushing topical relevance and all. Plus, Bradbury came from Waukegan. Close enough to home to be... what, intelligible?

    The scene in the book and movie where the sub combing the planet for signs of life arrives in San Francisco, ups periscope, and finds no humans left alive... impressive back then, and, really, in retrospect, prophetic, even without the themonuclear war.

  5. amazing post and wonderful poem....thanks !