Saturday, 11 August 2012

Walker Evans: Xenophobia


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Image, Source: digital file from intermediary roll film

Main street, Morgantown, West Virginia: photo by Walker Evans, March 1936 





Learning to distrust
what's coming
your way
if it's not from around here
incurious
in the event
of questions uninvited
and uneasy 
in any case




Image, Source: digital file from original neg.

Legionnaire, Bethlehem, Pennsylvania: photo by Walker Evans, November 1935
Photos from Farm Security Administration Collection, Library of Congress

9 comments:

  1. the roots of distrust are obviously learnt...

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  2. "Questions uninvited" are the only one that matter, leaving our selves in question, the place of true beginnings, of displacement.

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  3. Home is
    on the road
    going somewhere
    nowhere special
    but that plan

    Unasked, unanswered
    ear a question mark
    earring dangling

    Some people can point
    to a spring or mountain
    tree and say
    that's where they began

    or look through
    dense overstory
    up the Umpqua
    ask about the bright spot
    Dad thinking it hilarious
    even now

    the sun
    feeling dumb
    not to have known this
    Oregon age two
    after Tina was born
    in Roseburg

    never settled down to
    or found where it was
    just left

    The Sandwich Isles
    once had strict rules
    kapu is still felt
    a tangible residue
    feel it waiting
    to kill if totally ignored
    protocol
    a beautiful sounding word
    like kapu
    taboo
    almost a tattoo
    of a deer
    a caribou

    also terrible
    when misspelled
    a mistake
    for life

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  4. The Crooked Bank

    leans
    a plank
    an inclined plane
    where the pirate king
    sentences you
    to walk and eventually jump
    into something that looks
    familiar but is not
    into a place
    with a beautiful name
    that begins with an X
    but is not solved
    by finding it
    this was
    not supposed to be
    a math poem
    but numbers to
    figure against

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  5. Hello Goodbye Dada


    Hello funny hat. Flying mustache.
    The serious aside. It is beside
    itself. The only dance I knew
    was sort of a twist. Then,
    my half clown hat, dirty snow,
    merriment or half of merriment.
    Nonsense. Speaking as such. It
    captured me and held me
    there, still haunted, believing.
    Almost basking. Not quite there.
    Somewhat scornful of the table,
    the waterfall fork, the spoo.

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  6. The place of displacement, the place one can't go back to.

    a question mark
    earring dangling

    Evans did little to reduce the distance of formality between himself and his subjects. He always remains very much the outsider -- East Coast liberal, schooled at Phillips/Williams, of the intellectual classes, an enigmatic man, with a cold eye.

    The suspicion with which he is viewed by these "subjects" appears real.

    Evans has become notorious for his entry into the photographic situation, his set-ups and set-designs.

    The bank, and the straw hat business types, behind the Morgantown subjects -- accidental?

    And the downward angle of the heads, so that the narrowed distrustful eyes come up toward the camera...

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  7. Tom,

    It's the "learning" that counts (no child left behind) in "Learning to distrust /what's coming your way /
    if it's not from around here. . ."

    8.11

    grey whiteness of fog against invisible
    ridge, song sparrow calling from branch
    in foreground, wave sounding in channel

    i.e., thing “typed” in time
    of “hand” in “action”

    as different, what it would
    be, form of “present”

    grey white fog against invisible ridge,
    shadowed green pine on tip of sandspit

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  8. "I can show you fear in a handfull
    of dust" TS Elliot

    The components of fear are ever
    present.

    I wonder what TS Elliot would have
    thought of John Lennon

    "Imagine all the people.....

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  9. I can't leave no Dagger behind.
    There is the home of Cougars
    also just down the road.

    ReplyDelete