Saturday, 15 September 2012

Truth Game


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Children playing by road near school house, Kansas [?]
: photo by John Vachon, c. 1942 (Farm Security Administration/Office of War Information Collection, Library of Congress)



The words having given up on them,
not the words but the meanings

hiding behind the trees
at the side of the road,

the people said
"We can't find the words"

The people sounded like lost children then
"The words have given up on us"

"We can't explain"
The words having been hiding away all those years

in the hide and seek truth game
not wanting to be found
 



mideast_protest_091312_27.jpg

Egyptian soldiers stand guard in front of the U.S. embassy in Cairo, Egypt, Wednesday, 12 September 2012: photo by Nasser Nasser/AP 

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A protestor throws rocks at riot police in Cairo, Egypt on Thursday, 13 Sepember 2012, as violence continues in Cairo for a third day and anger spreads across the Muslim world against an anti-Islam film: photo by Amanda Mustard/ZUMA24

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A policeman stands in front of a police car set on fire by protesters in front of the U.S. embassy in Cairo, Egypt, during clashes between protesters and police early Thursday, 13 September 2012, as part of widespread anger across the Muslim world about a film ridiculing Islam's Prophet Muhammad: photo by Ahmed Gomaa/AP

mideast_protest_091312_22.jpg

Police, unseen, use water cannons to disperse protesters near the U.S. Embassy during a demonstration about a film ridiculing Islam's Prophet Muhammad, in Sanaa, Yemen, Thursday, 13 September 2012: photo by Hani Mohammed/AP

mideast_protest_091312_23.jpg

A burnt car in front of U.S. consulate, after an attack that killed four Americans, including Ambassador Chris Stevens on the night of Tuesday, in Benghazi, Libya, Thursday, 13 September 2012: photo by Mohammad Hannon/AP

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An Egyptian protester throws back a tear gas canister toward riot police, unseen, behind cement blocks that are used to close the street leading to tho the U. S. embassy during clashes in Cairo, Egypt, Friday, 14 September 2012: photo by Nasser Nasser/AP

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A boy holds a toy gun during a protest about a film ridiculing Islam's Prophet Muhammad in the Palestinian refugee camp of Ain el-Hilweh near Sidon, Lebanon, Friday, 14 September 2012: photo by Mohammed Zaatari/AP
 

Protesters run for cover during a demonstration in front of the US embassy in Tunis. At least five protesters were wounded when Tunisian police opened fire on Friday to quell an assault on the embassy compound: photo by Zaubeir Soissi/Reuters

A protester helped an injured man near Tahrir Square in Cairo, Egypt.

A protester helped an injured man near Tahrir Square in Cairo, Egypt on 14 September 2012: photo by Amr Abdallah Dalsh/Reuters

21 comments:

  1. Tom,

    "words having been hiding away all those years"

    9.15

    light coming into fog against invisible
    top of ridge, silhouette of pine branch
    in foreground, sound of wave in channel

    forgetting still, then what
    forgotten would occur

    “representing,” paired with,
    in relation to beside

    whiteness of sun in clouds above ridge,
    shadowed green pine on tip of sandspit

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  2. So much these days passes not only through Bolaño’s filter of words, but also through a constantly breaking wave of images, a tsunami of pictures both moving and still, that are all too real and convincing. Words have become inadequate rather than ‘conveniently equal to our fear.’ Words grow inadequate to express what we feel—and we’re not sure what we feel. The mind is ever-boggled. No respite. Too many WTF moments. The organism defaults to the reptile brain when survival is uncertain. Not that we’re all paralyzed by fear, or have let ourselves get completely sucked into a quicksand of despond and free-floating anxiety; we see too much—are shown so much—that we can’t get our heads around what we’re feeling. It’s not just the wretchedness of the data, the info, it’s that we’re subjects of a constant water boarding of data. El mal adentro, in Bolaño’s estimation, becomes, unintelligible.

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  3. Mention the M-word here capital M
    some-how some-where
    topsy-turvy anger wakes
    from deep oily sleep

    explode not the right word.

    Try rounding up
    their
    leader
    make him grow pumpkins
    big ones
    solve
    impossible equations
    by force
    when it doesn't figure

    easily shape shifters
    just one or two past
    dry, preserved, ancient
    tipping point
    nobody has named
    saturation
    to the nth power.

    Send some mummies
    to do the dirty work.
    Use their stealth
    their desperation
    oath.

    ReplyDelete
  4. Here things make a little more sense
    here words don’t give up
    here we play the game
    of words seeking meaning.

    There I am in John Vachon’s photo
    behind that tree
    playing in those woods,
    reading the world.

    Thanks Tom, for your poem and for a place to play the truth game.

    ReplyDelete
  5. Do they call out his name
    all in the name
    of
    the game they are playing
    before jumping off the cliff
    into the ditch
    to escape at the last
    possible
    minute

    Geronimo!
    cry
    as the soldiers come near
    with other technologies

    in the war
    against ordinary
    men, women, children

    in their quest
    to reach some sort
    of border
    that did not
    does not
    exist
    in this dimension
    or time-space
    as the hippies say.

    When I was fifteen
    we lived across the vale
    from a castle. Our house
    was my aunt and uncle's place.
    Everything had its own spot
    own personality. If you made
    a misstep
    a hedgehog could be crushed
    by accident. The desert
    also like this. Simile
    metaphor what have you?

    ReplyDelete
  6. I don't find the words
    rely on substitutes
    until they say
    what I need them to say.

    I will stand here and lie
    if my life depends on it
    many times before.
    Teachers.

    ReplyDelete
  7. "playing in those woods,
    reading the world"
    (Hazen Robert Walker)
    hug a tree
    cheek scratchy
    against the bark
    listen
    words
    to what it says
    in the language
    of reach each
    leaf.

    ReplyDelete
  8. In the Truth Game
    there is also the Dare
    if you take it
    you could die

    tangled
    forgotten
    in the leaves
    the drying grasses
    where the buffalo once

    sunflowers marked the way
    villages with lots growing
    at the edges of the vast
    American Savannah

    how now brown cow?
    Which way went the winged
    whip-poor-will?

    ReplyDelete
  9. I think they have some extra words
    at the L=A=N=G=
    you-get-the-picture
    school
    I won't spell it out
    for you again.
    You could check out
    words
    from the library
    two week intervals
    are allowed. The first card
    free
    after that
    if you lose it
    the r
    drops out
    costs
    dollars.

    ReplyDelete
  10. http://www.youtube.com/watch?v=hwE5gfZlMZY


    ReplyDelete
  11. http://www.youtube.com/watch?v=tU1stt0okdM&feature=BFa&list=AL94UKMTqg-9AUJdqfLbbKKTPskvU2_GNq

    ReplyDelete
  12. "The words have given up on us" "We can't explain"

    Children know they're in the game, even when wholly lost in the performance. Nevertheless, there comes the moment when play freezes; they feel the calling to account and look to each other fearfully.

    Having to have the joke spelt out, God help us; here's no worse business. The language games audited, turned dead measurable...

    No wonder the words are in flight

    ReplyDelete
  13. stimulus generalization a concept
    from psychiatry.
    some people are very easily and
    beyond all reason, aroused,
    by a small or perhaps even an unrelated
    event.

    ReplyDelete
  14. I've been up most of the night thinking about these recent events and then thought to look here. I can also vouch for the fact that the mind is ever boggled; no respite. Yesterday we enjoyed a fine day in Manhattan trying to do something elevating. I'm glad we did, but it still felt hollow at the core all the time and I'm trying to get to the center of it without much success. With the sole exception of the things I've read here, nothing else I've read has been of much use. Curtis

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  15. The expression of anger among a people is merely one of the possible expressions of a people. Sorrow, mourning, sadness, longing, courage, hope might also find expression in a truthful language. It doesn't mean a thing until everybody feels it together.

    Marcel Khalifa performs Rita and the Rifle by Mahmoud Darwish

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  16. In case anybody's interested...

    Here is the text of Darwish's great poem.

    I thought to put up that link earlier, but then thought, no -- if I do that, nobody will bother to click on the equally great Marcel Khalifa link.

    But nobody clicked on the Marcel Khalifa link anyway.

    There are stars in the universe that will have died long before their light ever reaches us, here in our cave, where the flickering shadows on the wall spell out whatever we want them to spell out this week.

    ReplyDelete
  17. I clicked
    heard the moon
    sing. Sad.
    Painful push
    through the long night.

    To the crowd
    for the crowd.

    So much change
    single phrase
    rolls over stones
    boulders
    pushes them away

    the throat
    liquid
    speaks true
    with the help
    of wood.

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  18. I stand reproved, TC. The Khalifa/Darwish links are beautiful and illuminating. It's terrible how the rifle demarcate the field of speech, sometimes cutting through and mutilating.
    Darwish lets a real hope, if bittersweet, show. It's hard to hold the taste of honey on the lips in such a situation. The memory, then.

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  19. I have to believe that Darwish's light and the light here amidst the virtual dark of idiot chatter will last longer than the miserly dayglo moments we're prescribed.

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  20. "not wanting to be found"...yes!

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  21. I was greatly moved by the way, when, after five minutes or so, the lyric of the song begins, and everyone in the large open-air amphitheatre, swaying along with the music, joins Marcel K in voicing these words they all know so well (unimaginable that a young Western audience would show similar respect for the poetry of their culture -- or that such poetry would in any case deserve or command such respect) -- and all of this with dignity and gravity, no screaming, no orange headed metal spider punks flaming out of their minds.

    ReplyDelete