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Wednesday, 19 March 2014

Ryszard Kapuściński: The Ukrainian Plan (from Imperium)


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File:Bread for a gold - A queue in Kharkiv 1932.jpg

Bread for gold: a queue in Kharkiv during the time of Great Famine: photographer unknown, 1932 (State Archive of Ukraine)


Historians explain the genocide in the Ukraine (and in the northern Caucasus) in various ways.  Russian historians see it as an instrument of the destruction of traditional society and the construction, in its place, of a formless, docile, half-enslaved mass of Homo sovieticus.  Ukrainian historians (among them Valentin Moroz) believe that Stalin's goal was to save the Imperium: the Imperium cannot exist without the Ukraine.  Yet the twenties witness a renascence of Ukrainian nationalistic ambition, which develops under the slogan "Far from Moscow!"  The main repository  of the Ukrainian spirit is the peasantry.  To break that spirit, Stalin must destroy the peasantry.  At the time, there were around thirty million Ukrainian peasants.  Technically, one could have annihilated a significant portion of them by building a network of gas chambers.  But that is an error Stalin did not commit.  He who builds gas chambers bears all the blame, brings the disgrace of being a murderer down upon himself.  Instead, Stalin saddled the victims of the crime with all the guilt for it:  You are dying of hunger because you do not want to work, because you do not see the advantages of the kolkhoz.  Furthermore, he complained, because of you the inhabitants of the cities are going hungry, women cannot nurse because they have no milk, children cannot go to school because they are too weak.

The Ukrainian countryside died in silence, isolated from the world, gnawing on the bark of trees and on the leather laces of its own shoes, looked upon with contempt by people from the cities, who stood in the streets in unending lines for bread.

Ryszard Kapuściński (1932-2007): from Pomona of the Little Town of Drohobych (1991), in Imperium, 1994


File:Famine Kharkov 1933.jpg

"Die Leichen der in den Straßen Charkovs Verhungerten erwecken anfangs Anteilnahme." ("The corpses in the streets of the Charkov at the beginning arouse the sympathy of the famished""): photo by Alexander Wienerberger, 1933, from "Muss Russland Hungern?"' ["Must Russia Starve?"], published by Wilhelm Braumüller, Wien [Vienna], 1935

File:HolodomorUcrania9.jpg

"Die Anteilnahme schwindet." ("The sympathy shrinks!"). Kharkiv, Ukraine: photo by Alexander Wienerberger, 1933, from "Muss Russland Hungern?'" "[Must Russia Starve?"], published by Wilhelm Braumüller, Wien [Vienna], 1935

File:GolodomorKharkiv.jpg

Passers-by no longer pay attention to the corpses of starved peasants on a street in Kharkiv [Ukraine]: photo by Alexander Wienerberger, 1933, in Famine in the Soviet Ukraine, 1932-1933: a memorial exhibition, Widener Library, Harvard University; initially published in "Muss Russland Hungern?" ["Must Russia Starve?"], published by Wilhelm Braumüller, Wien [Vienna] 1935

http://upload.wikimedia.org/wikipedia/commons/6/60/Joseph_Stalin_and_Maxim_Gorky%2C_1931.jpg

Joseph Stalin and Maxim Gorky in Red Square, 1931: photo from Pravda, 1940; image by Eugene Zelenko, 13 April 2005


 Map of Holodomor (Ukrainian Famine/Genocide) of 1932-33.The Holodomor (literal translation Death by hunger) was a man-made famine in the Ukrainian SSR, part of the Soviet famine of 1932–1933. During the famine, which is also known as the "terror-famine in Ukraine" and "famine-genocide in Ukraine", millions of Ukrainians died of starvation in a peacetime catastrophe unprecedented in the history of Ukraine: photo by Oleksy (Alex) Tyazhkyy, 3 November 2008

7 comments:

ACravan said...

Thank you for posting this. The current ongoing news story about Malaysian Airlines flight MH 370 has made time seem kind of elastic lately and one thing I've noticed in the "update from the Ukraine" news intervals is how little information is actually conveyed about Ukraine's history and how and why any of this matters apart from the potential effects on Russia's European economic partners and, of course, on Russian-US relations. The coverage has been basically non-historical, unless by history you mean the last 25 years or so. Curtis

Wooden Boy said...

I've always found that photo of Gorky and Stalin troubling.

Josef was a dab hand at the PR.

Wooden Boy said...

This brings the Great Famine to mind.

TC said...

Vlad P may have some ways still to go to catch up with Stalin in the Brutal Despot Sweepstakes.

On the character of Uncle Joe:

"Stalin is not Russian but Georgian. His cleverness lies in patience, willpower, and good sense. He is confident and obstinate. His enemies accuse him of lacking knowledge and intelligence; they are mistaken. He is not a cultured man in the European sense of the word, not overfed with sophistry and psychological fanaticism. Stalin is a barbarian, in Lenin’s sense of the word, an enemy of Western culture, psychology and ethics. His intellect is entirely physical and instinctive, in a natural state, and without the prejudices or the moral sense of a cultured man. It has been said that men reveal their character in their bearing. I saw Stalin in May 1929 at the Pan-Russian Soviet Congress, walking up on to the stage in the Grand Theatre of Moscow. I was just below the footlights in the orchestra stalls when he appeared from behind a double row of the People’s Commissaries, the delegates from Tzic and the members of the Party’s Central Committee, lined up on the stage. He was quite simply dressed in a gray jacket of military cut and dark cloth trousers gathered into his high boots. Square-shouldered, short, thick-set, his massive head covered with black curly hair, and narrow eyes accentuated by very black eyebrows; his face was darkened by shaggy black moustaches; he walked slowly and heavily, striking the ground with his heels as he went; his head thrust forward and his arms swinging made him look like a peasant, but a peasant from the highlands -- hard, patient, and obstinate. Ignoring the thunder of applause which greeted him, he walked on slowly, took his place behind Rykoff and Kalinin, raised his head, looked at the huge crowd which acclaimed him, and stood motionless and stooping slightly -- his eyes fixed straight in front of him. About twenty Tartar deputies, representing the autonomous Soviet Republics of the Bakirs, the Bouriat-Mongols, Iakouts, and Daghestan alone observed a rigid silence in their stage-box. They were dressed in yellow and green silk kaftans, with silver-embroidered tartar caps on their long black shiny hair and they stared at Stalin with little narrow slit eyes: at Stalin the dictator, the iron fist of the Revolution, mortal enemy of the West and of civilized and bourgeois Europe. When the delirious shouts of the crowd began to die down, Stalin slowly turned his head toward the Tartar deputies: the Mongols’ eyes met those of the dictator. A great shout filled the theatre: it was the greeting of Proletarian Russia to Red Asia, to the people of the plains, the deserts, and the great Asiatic rivers. Again Stalin turned coolly to the crowd. He remained bent and motionless, his unseeing eyes fixed straight in front of him."

-- Curzio Malaparte: from A Coup d'Etat that Failed: Trotsky vs. Stalin (excerpt), in La tecnica della colpo di Stato (The technique of coup d'état), 1931, translated by Sylvia Saunders, 1932

TC said...

By the way, I hope it will seem redundant to point out that RK's book is a magisterial work of personal observation, reflection, reminiscence and historical reportage.

On Imperium

Be the BQE said...

Tom,
Your characterization of RK is right on. He was also a photographer and poet. A less poetic but equally devastating (that word is far too weak) treatment of the Ukraine's cycles of suffering is found in Timothy Snyder's Bloodlands: Europe Between Hitler and Stalin.

David

TC said...

Thanks very much David. I believe I had assumed this writer's work would be known to everybody interested in history. Or perhaps I should say, I believe I had assumed some people are still interested in history.

As RK modeled his approach upon the example of Herodotus, I think it's probably safe to assume he was interested in the writing of history.

Of course, suffering and history are wicked-kissing cousins, and that fact would go a long way toward explaining the contemporary lack of interest in either.

Ignorance goes down better with a blintz, as they used to say around the deli.