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Mountaineers and farmers trading horses and mules on "Jockey Street", Campton, Wolfe County, Kentucky: photo by Marion Post Wolcott, September 1940 (Farm Security Administration/Library of Congress)
Mountaineers and farmers trading horses and mules on "Jockey Street", Campton, Wolfe County, Kentucky: photo by Marion Post Wolcott, September 1940 (Farm Security Administration/Library of Congress)
Mountaineers and farmers trading horses and mules on "Jockey Street", Campton, Wolfe County, Kentucky: photo by Marion Post Wolcott, September 1940 (Farm Security Administration/Library of Congress)
A fair exchange ought to happen under the plain light of day. When the transaction has been done, not all will have received due recompense. Some will have been made less whole than others, some will have been less satisfied. Some, too, will have come to the fair and been turned away.
Living quarters and "juke joint" for migratory workers, slack season, Belle Glade, Florida: photo by Marion Post Wolcott, February 1941 (Farm Security Administration/Library of Congress)
Migratory workers by "juke joint", Belle Glade, Florida: photo by Marion Post Wolcott, February 1941 (Farm Security Administration/Library of Congress) 
Cross roads store, "juke joint" and gas station, Melrose, Louisiana: photo by Marion Post Wolcott, June 1940 (Farm Security Administration Library of Congress)
5 comments:
To say that these three Beyond The Pale works are very moving fails to do them justice. They fairly sum up my daily impression of things today, particularly the line, "This is not that province any more". It's going to be a busy, hot weekend with some work and some play and I'm determined to enjoy all of it. I hope everyone visiting here does also.
highway 61 revisited
Yes, something tells me we've been down this road before...
Though all these are fine, the quality of light in the first and last photos is stunning, approaching the tactility of paint. And your first line touches on it ...
"A fair exchange ought to happen under the plain light of day."
Thanks for these important documents and your salient, lyrical observations. The parallels run deeply ...
Thank you, Don. For me these photos were an inspiration. Each of the great FSA photographers had a different eye and a different feeling for the common life of the nation. Their assignment was to document the lives of the rural poor, but it seems they have done something more. The sense of injustice that runs old and deep beneath the surface of our history is brought into the light, as you suggest.
And yes, the wonders of Kodachrome together with the brilliance of the photographer's eye have at times given the work a special quality of light, and "the tactility of paint".
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