Passengers
on a bus crossing the Westminster Bridge in London on Monday. A 24-hour
strike on the Underground forced commuters onto crammed buses, while
thousands of others walked for hours to get to and from work.: photo by Toby Melville/Reuters, 9 January 2017
El lugar era la Facultad de Filosofía y Letras; la hora, el atardecer. Todo (como suele ocurrir en los sueños) era un poco distinto; una ligera magnificación alteraba las cosas. Elegíamos autoridades; yo hablaba con Pedro Henríquez Ureña, que en la vigilia ha muerto hace muchos años. Bruscamente nos aturdió un clamor de manifestación o de murga. Alaridos humanos y animales llegaban desde el Bajo. Una voz gritó: ¡Ahí vienen! y después ¡Los Dioses! ¡Los Dioses! Cuatro a cinco sujetos salieron de la turba y ocuparon la tarima del Aula Magna. Todos aplaudimos, llorando; eran los Dioses que volvían al cabo de un destierro de siglos. Agrandados por la tarima, la cabeza echada hacia atrás y el pecho hacia adelante, recibieron con soberbia nuestro homenaje. Uno sostenía una rama, que se conformaba, sin duda, a la sencilla botánica de los sueños; otro, en amplio ademán, extendía una mano que era una garra; una de las caras de Jano miraba con recelo el encorvado pico de Thoth. Tal vez excitado por nuestros aplausos, uno, ya no sé cual, prorrumpió en un cloqueo victorioso, increíblemente agrio, con algo de gárgara y de silbido. Las cosas, desde aquel momento, cambiaron.
In our dreams (writes Coleridge) images represent the sensations we think they cause; we do not feel horror because we are threatened by a sphinx; we dream a sphinx in order to explain the horror we feel. If this is so, how could a mere chronicle of its forms transmit the stupor, the exaltation, the alarm, the menace and the jubilance which made up the fabric of that dream that night? I shall attempt such a chronicle, however; perhaps the fact that the dream was composed of one single scene may remove or mitigate this essential difficulty.
The place was the School of Philosophy and Letters; the time, toward sundown. Everything (as usually happens in dreams) was somehow different; a slight magnification altered things. We were electing officials: I was talking with Pedro Henríquez Ureña, who in the world of waking reality died many years ago. Suddenly we were stunned by the clamor of a demonstration or disturbance. Human and animal cries came from the Bajo. A voice shouted “Here they come!” and then “The Gods! The Gods!” Four or five individuals emerged from the mob and occupied the platform of the main lecture hall. We all applauded, tearfully; these were the Gods returning from a centuries-long exile. Made larger by the platform, their heads thrown back and their chests thrust forward, they arrogantly received our homage. One held a branch which no doubt conformed to the simple botany of dreams; another, in a broad gesture, extended his hand which was a claw; one of the faces of Janus looked with distrust at the curved beak of Thoth. Perhaps aroused by our applause, one of them -- I know longer know which -- erupted in a victorious clatter, unbelievably harsh, with something of a gargle and of a whistle. From that moment, things changed.
It all began with the suspicion (perhaps exaggerated) that the Gods did not know how to talk. Centuries of fell and fugitive life had atrophied the human element in them; the moon of Islam and the cross of Rome had been implacable with these outlaws. Very low foreheads, yellow teeth, stringy mulatto or Chinese mustaches and thick bestial lips showed the degeneracy of the Olympian lineage. Their clothing corresponded not to a decorous poverty but rather to the sinister luxury of the gambling houses and brothels of the Bajo. A carnation bled crimson on a lapel and the bulge of a knife was outlined beneath a close-fitting jacket. Suddenly we sensed that they were playing their last card, that they were cunning, ignorant and cruel like old beasts of prey and that, if we let ourselves be overcome by fear or pity, they would finally destroy us.
We took out our heavy revolvers (all of a sudden there were revolvers in the dream) and joyfully killed the Gods
Jorge Luis Borges: Ragnarök
En los sueños (escribe Coleridge) las imágenes figuran las impresiones
que pensamos que causan; no sentimos horror porque nos oprime una
esfinge, soñamos una esfinge para explicar el horror que sentimos. Si
esto es así ¿cómo podría una mera crónica de sus formas transmitir el
estupor, la exaltación, las alarmas, la amenaza y el júbilo que tejieron
el sueño de esa noche? Ensayaré esa crónica, sin embargo; acaso el
hecho de que una sola escena integró aquel sueño borre o mitigue la
dificultad esencial.
El lugar era la Facultad de Filosofía y Letras; la hora, el atardecer. Todo (como suele ocurrir en los sueños) era un poco distinto; una ligera magnificación alteraba las cosas. Elegíamos autoridades; yo hablaba con Pedro Henríquez Ureña, que en la vigilia ha muerto hace muchos años. Bruscamente nos aturdió un clamor de manifestación o de murga. Alaridos humanos y animales llegaban desde el Bajo. Una voz gritó: ¡Ahí vienen! y después ¡Los Dioses! ¡Los Dioses! Cuatro a cinco sujetos salieron de la turba y ocuparon la tarima del Aula Magna. Todos aplaudimos, llorando; eran los Dioses que volvían al cabo de un destierro de siglos. Agrandados por la tarima, la cabeza echada hacia atrás y el pecho hacia adelante, recibieron con soberbia nuestro homenaje. Uno sostenía una rama, que se conformaba, sin duda, a la sencilla botánica de los sueños; otro, en amplio ademán, extendía una mano que era una garra; una de las caras de Jano miraba con recelo el encorvado pico de Thoth. Tal vez excitado por nuestros aplausos, uno, ya no sé cual, prorrumpió en un cloqueo victorioso, increíblemente agrio, con algo de gárgara y de silbido. Las cosas, desde aquel momento, cambiaron.
Todo empezó por la sospecha (tal vez exagerada) de que los Dioses no
sabían hablar. Siglos de vida fugitiva y feral habían atrofiado en ellos
lo humano; la luna del Islam y la cruz de Roma habían sido implacables
con esos prófugos. Frentes muy bajas, dentaduras amarillas, bigotes
ralos de mulato o de chino y belfos bestiales publicaban la degeneración
de la estirpe olímpica. Sus prendas no correspondían a una pobreza
decorosa y decente sino al lujo malevo de los garitos y de los lupanares
del Bajo. En un ojal sangraba un clavel; en un saco ajustado se
adivinaba el bulto de una daga: Bruscamente sentimos que jugaban su
última carta, que eran taimados, ignorantes y crueles como viejos
animales de presa y que, si nos dejábamos ganar por el miedo o la
lástima, acabarían por destruirnos.
Sacamos los pesados revólveres (de pronto hubo revólveres en el sueño) y alegremente dimos muerte a los Dioses.
Jorge Luis Borges: Ragnarök
In our dreams (writes Coleridge) images represent the sensations we think they cause; we do not feel horror because we are threatened by a sphinx; we dream a sphinx in order to explain the horror we feel. If this is so, how could a mere chronicle of its forms transmit the stupor, the exaltation, the alarm, the menace and the jubilance which made up the fabric of that dream that night? I shall attempt such a chronicle, however; perhaps the fact that the dream was composed of one single scene may remove or mitigate this essential difficulty.
The place was the School of Philosophy and Letters; the time, toward sundown. Everything (as usually happens in dreams) was somehow different; a slight magnification altered things. We were electing officials: I was talking with Pedro Henríquez Ureña, who in the world of waking reality died many years ago. Suddenly we were stunned by the clamor of a demonstration or disturbance. Human and animal cries came from the Bajo. A voice shouted “Here they come!” and then “The Gods! The Gods!” Four or five individuals emerged from the mob and occupied the platform of the main lecture hall. We all applauded, tearfully; these were the Gods returning from a centuries-long exile. Made larger by the platform, their heads thrown back and their chests thrust forward, they arrogantly received our homage. One held a branch which no doubt conformed to the simple botany of dreams; another, in a broad gesture, extended his hand which was a claw; one of the faces of Janus looked with distrust at the curved beak of Thoth. Perhaps aroused by our applause, one of them -- I know longer know which -- erupted in a victorious clatter, unbelievably harsh, with something of a gargle and of a whistle. From that moment, things changed.
It all began with the suspicion (perhaps exaggerated) that the Gods did not know how to talk. Centuries of fell and fugitive life had atrophied the human element in them; the moon of Islam and the cross of Rome had been implacable with these outlaws. Very low foreheads, yellow teeth, stringy mulatto or Chinese mustaches and thick bestial lips showed the degeneracy of the Olympian lineage. Their clothing corresponded not to a decorous poverty but rather to the sinister luxury of the gambling houses and brothels of the Bajo. A carnation bled crimson on a lapel and the bulge of a knife was outlined beneath a close-fitting jacket. Suddenly we sensed that they were playing their last card, that they were cunning, ignorant and cruel like old beasts of prey and that, if we let ourselves be overcome by fear or pity, they would finally destroy us.
We took out our heavy revolvers (all of a sudden there were revolvers in the dream) and joyfully killed the Gods
Jorge Luis Borges (1899-1986): Ragnarök, from El hacedor, 1960; English version by J.E.I.
A man walks along a snow covered A93 which is currently closed to vehicles in Spital of Glenshee, United Kingdom: photo by Jeff J Mitchell, 13 January 2017
A man walks along a snow covered A93 which is currently closed to vehicles in Spital of Glenshee, United Kingdom: photo by Jeff J Mitchell, 13 January 2017
UK - The sun sets over snow-covered moorland above the village of Diggle in northern England. By @oliscarff #AFP: image via Frédérique Geffard @fgeffardAFP, 13 January 2017
UK - A man walks his dog alongside Huddersfield Narrow Canal in snowy conditions in the village of Marsden. Photo @oliscarff: image via Aurelia BAILLY @AureliaBAILLY, 13 January 2017
Waves crash into the sea wall at Seaham Harbour as Scotland and the North of England were covered in a blanket of snow while the east coast was braced for a storm surge at Friday lunchtime: photo by Owen Humphreys/PA Wire, 13 January 2017
Waves crash into the sea wall at Seaham Harbour as Scotland and the North of England were covered in a blanket of snow while the east coast was braced for a storm surge at Friday lunchtime: photo by Owen Humphreys/PA Wire, 13 January 2017
UK - Waves smash into the barrier along the promenade at high tide at Walton-on-the-Naze. By @lealolivas #AFP: image via Frédérique Geffard @fgeffardAFP, 13 January 2017
Macedonia - A flock of birds rest of the frozen surface of the Dojran Lake on January 11. Photo @RAtanasovski: image via Aurelia BAILLY @AureliaBAILLY, 13 January 2017
A shower system, #belgrade #migrants #refugees: image via Marko Drobnjakovic @xmd101, 13 January 2017
Macedonia - A flock of birds rest of the frozen surface of the Dojran Lake on January 11. Photo @RAtanasovski: image via Aurelia BAILLY @AureliaBAILLY, 13 January 2017
A shower system, #belgrade #migrants #refugees: image via Marko Drobnjakovic @xmd101, 13 January 2017
Italy - The village of Corigliano Calabro, in the Calabria region, after snowfall in southern Italy today. Photo Alfonso Di Vincenzo: image via Aurelia BAILLY @AureliaBAILLY, 13 January 2017
INDIA - A Kashmiri muslim mother and son sit inside a mud house on the outskirts of Srinagar following a snowfall. By @TauseefMUSTAFA #AFP: image via Frédérique Geffard @fgeffardAFP, 13 January 2017
A worker handles an inflatable chicken, bearing a likeness to U.S. President-elect Donald Trump and produced ahead of the Lunar New Year of the Rooster, at a factory in Jiaxing, China: photo by Qilai Shen/Bloomberg, 13 January 2017
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