An Indian man enters a train through an emergency window in Hyderabad, India. Railway platforms and trains were overcrowded with many people travelling to their hometowns to celebrate the Hindu festival of Makar Sankranti.: photo by Mahesh Kumar/AP, 12 January 2017
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An Indian man enters a train through an emergency window in Hyderabad, India. Railway platforms and trains were overcrowded with many people travelling to their hometowns to celebrate the Hindu festival of Makar Sankranti.: photo by Mahesh Kumar/AP, 12 January 2017
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Thousands
of Hindu pilgrims are expected to take the annual holy dip Jan 14 at
Gangasagar, where the Ganges River reaches the Bay of Bengal: image via AP Images @AP_Images, 12 January 2017
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Thousands
of Hindu pilgrims are expected to take the annual holy dip Jan 14 at
Gangasagar, where the Ganges River reaches the Bay of Bengal: image via AP Images @AP_Images, 12 January 2017
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Thousands
of Hindu pilgrims are expected to take the annual holy dip Jan 14 at
Gangasagar, where the Ganges River reaches the Bay of Bengal: image via AP Images @AP_Images, 12 January 2017
Commuters sit next to a tube sign reading ‘Webminster’ after Amazon rebranded Westminster tube station as a marketing stunt in central London today: photo by Stefan Wermuth/Reuters, 12 January 201
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Commuters sit next to a tube sign reading ‘Webminster’ after Amazon rebranded Westminster tube station as a marketing stunt in central London today: photo by Stefan Wermuth/Reuters, 12 January 2017
Jorge Luis Borges: La trama / The Plot
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La trama
Para que su horror sea perfecto, César, acosado al pie de la estatua
por los impacientes puñales de sus amigos, descubre entre las caras y
los aceros la de Marco Bruto, su protegido, acaso su hijo, y ya no se
defiende y exclama: ¡Tú también, hijo mío! Shakespeare y Quevedo recogen el patético grito.
Al destino le agradan las repeticiones, las variantes, las simetrías;
diecinueve siglos después, en el sur de la provincia de Buenos Aires,
un gaucho es agredido por otros gauchos y, al caer, reconoce a un
ahijado suyo y le dice con mansa reconvención y lenta sorpresa (estas
palabras hay que oírlas, no leerlas): ¡Pero, che! Lo matan y no sabe que muere para que se repita una escena.
The Plot
To make his horror complete, Caesar, pressed to the foot of a statue by the impatient daggers of his friends, discovers among the blades and faces the face of Marcus Junius Brutus, his protege, perhaps his son, and ceasing to defend himself he exclaims: “You too, my son!” Shakespeare and Quevedo revive the pathetic cry.
Destiny takes pleasure in repetition, variants, symmetries: nineteen
centuries later, in the south of the Province of Buenos Aires, a gaucho
is attacked by other gauchos. As he falls he recognizes an adopted son
of his and says to him with gentle reproof and slow surprise (these
words must be heard, not read), “Pero che!” He is being killed, and he
does not know he is dying so that a scene may be repeated.
Jorge Luis Borges: La trama / The Plot, from El hacedor / The Maker, 1960; English version by Mildred Boyer
A municipal worker washes a ceramic reproduction of Spanish artist Pablo Picasso’s Guernica, in the Basque town of Guernica, northern Spain. This year marks the 80th anniversary of the mural, painted in 1937 following the aerial bombing of the town by German and Italian aviation allied to Nationalist forces led by General Franco.: photo by Vincent West/Reuters, 12 January 2017
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A municipal worker washes a ceramic reproduction of Spanish artist Pablo Picasso’s Guernica, in the Basque town of Guernica, northern Spain. This year marks the 80th anniversary of the mural, painted in 1937 following the aerial bombing of the town by German and Italian aviation allied to Nationalist forces led by General Franco.: photo by Vincent West/Reuters, 12 January 2017
U.S. Army soldiers are welcomed in Zagan, Poland, on Thursday: photo by Czarek Sokolowski/AP, 12 January 2017
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SYRIA - Smoke billows from a rebel-held area of Daraa following reported shelling by pro-government forces during sunset. By @AbazidMohamad: image via Frédérique Geffard @fgeffardAFP, 12 January 2017
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IRAQ - Members of Iraqi Rapid Response Division rest on a street in Mosul's Yarimjah neighbourhood during operation against IS. By @dilkoff: image via Frédérique Geffard @fgeffardAFP, 12 January 2017
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US - A woman with the word "No!" painted on her face protests outside Trump Tower in New York City. By Dominick Reuter #AFP: image via Frédérique Geffard @fgeffardAFP, 12 January 2017
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Visual metaphor of the day. Lights out during #CIA confirmation hearing. Discussing #Russia #Transparency riff too! Photo @smahaskey @politico: image via Reading the Pictures @ReadingThePix, 12 January 2017
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2nd #visual metaphor of the day. @andrewlamberson #ConEd #themaninthetower: image via Reading the Pictures @ReadingThePix, 12 January 2017
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Some say #Trump presser docs fake. What u get keeping journos from seeing even 1 (and Trump/lawyer share same diction!) Photo @Rex/AP: image via Reading the Pictures @ReadingThePix, 12 January 2017
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Some say #Trump presser docs fake. What u get keeping journos from seeing even 1 (and Trump/lawyer share same diction!) Photo @Reuters: image via Reading the Pictures @ReadingThePix, 12 January 2017
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Some say #Trump presser docs fake. What u get keeping journos from seeing even 1 (and Trump/lawyer share same diction!) Photo @NPR: image via Reading the Pictures @ReadingThePix, 12 January 2017
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1 comment:
On Borges' theme of history repeating... Shirley Bassey: History Repeating
Also, while on history repeating... (anyone for a coup d'état?) ... there's this ditty that responded to an earlier awakening from History... in '89. Apparently a false alarm, that was. Just too good to last.
Jesus Jones: Right Here, Right Now
Jesus Jones: Right Here, Right Now (TV, 1991)
Jesus Jones: Right Here, Right Now (Live in Sydney, 2011)
Jesus Jones: Right Here, Right Now (Video Remix) / Culture Shock (L-edit)
And really.... if not now, when?"
Allen Toussaint: American Tune (P. Simon), Live, 2009
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