Union Station waiting room, Chicago: photo by Jack Delano, January 1943 (Farm Security Administration/Office of War Information Collection, Library of Congress)
DISSOLVE TO:
180. EXT. HOBART ARMS - AT FRONT ENTRANCE - NIGHT
as Marlowe comes out, wearing a hat and trench-coat against
the rain which has begun to fall. He gets into his car and
drives off. As he does so, a second car, a dark convertible
seen indistinctly in the shadowy street, swings around the
corner behind him, slows, falters, then picks up speed,
following Marlowe.
181. EXT. LAVERNE TERRACE - NIGHT (RAIN)
as Marlowe drives slowly, cautiously toward Geiger's house.
The street is dark, deserted. Marlowe drives without
lights. He stops in the tree-shadows by the angle of
Geiger's hedge and slides quietly out of the car, keeping
close to the hedge. His gun gleams faintly in his hand.
182. EXT. LAVERNE TERRACE - NIGHT (RAIN)
A section of the road over which Marlowe has just come.
The dark convertible creeps along in the shadows, also
without lights. It is still impossible to see who is
driving.
183. EXT. GEIGER'S PLACE - NIGHT (RAIN)
as Marlowe makes his way like a stalking cat through the
garden, toward the front door. Nothing stirs. There is no
sound but the rain. Marlowe crosses the exposed bridge at
a crouching run.
Nothing happens. He pauses in the shadows by the front door,
then tries the knob. Silently the door swings open. He
waits, then darts swiftly inside.
184. EXT. LAVERNE TERRACE - NIGHT (RAIN)
The dark convertible, still shrouded in the heavy shadows
of the trees, parks quietly behind Marlowe's car across the
road.
185. INT. GEIGER'S HOUSE - LIVING ROOM
Marlowe stands beside the door, which he has closed,
listening. He is only a shadow among shadows. The house
is utterly still. Marlowe, still cautious, crosses into
the rear part of the house, then returns.
MARLOWE
(laughing softly)
Okay, Eddie. I get it -- on the
way out.
He draws the heavy curtains quickly across the windows,
turns on the lights and sheds his hat and coat. The
packing box from Geiger's back room stands on the hearth-
rug. Marlowe bends over to look inside.
186. INSERT: THE PACKING BOX
filled with manila filing envelopes, ledgers, etc. On the
top of the stack is a folder labeled "Sternwood". It has
obviously been placed there on purpose.
187. INT. GEIGER'S HOUSE - LIVING ROOM
Marlowe picks up the folder -- a KNOCK SOUNDS on the front
door. Marlowe reacts, dropping the folder, and raises his
gun. He moves quickly to turn out the lights, then stands
beside the door, flat against the wall.
MARLOWE
Yeah?
CARMEN'S VOICE
Phil -- let me in.
MARLOWE
(after a pause,
unlocking the door)
Come in fast and shut the door behind
you.
He retains his wary position while Carmen obeys. When he
is sure she's alone, he sighs, relocks the door and turns
on the lights. His face is beaded with sweat, his hand
shaking slightly. Carmen is lightly clad, without hat or
coat. Apparently she has left home in a hurry.
CARMEN
Did I scare you?
MARLOWE
(dryly)
No -- I was expecting visitors...
from:
"THE BIG SLEEP"
Screenplay
by
William Faulkner
Leigh Brackett
Jules Furthman
From the novel
by
Raymond Chandler
1944
Union Station waiting room, Chicago: photo by Jack Delano, January 1943 (Farm Security Administration/Office of War Information Collection, Library of Congress)
playing with the lights… #fujifilm: image via FUJIXPROIMAGES - ADS, 10 October 2016
walking into the darkness…… #fujifilm: image via FUJIXPROIMAGES - ADS, 10 October 2016
happy to be normal like you: image via FUJIXPROIMAGES - ADS, 10 October 2016
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